Ends October 06, 2024
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George Nakashima (1905-1990) Double Minguren Coffee Table
George Nakashima (1905-1990) Double Minguren coffee table. Single slab walnut top with two free edges. Circa 1979. Original owner's name underside. The table bears a double base as the length exceeds 60" which is the Nakashima tradition.
Dimensions: 15"h x 62"l x 33"w.
Nakashima was one of the original leaders of the American Studio Movement. His work is known for it's Japanese aesthetic as well as the use of exposed wood.
This oversized lot does not economically ship through our customary parcel carriers. You may pick it up at our office by arranging an appointment by emailing hello@witherell.com or calling 916-446-6490. You may also arrange any shipper of your choosing. We recommend (within CA) Delbert McCrea: 831-566-6088 or (national delivery) CCC Transport: corlancartage@gmail.com (920) 450-5027.
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Alfred Sisley (1839-1899) Painting, "Un Paysage L'Hiver"
Framed Alfred Sisley (1839-1899) oil on board on panel landscape painting, "Un Paysage L'Hiver" (A Winter Landscape). Signed lower right. Photo of back of panel attached to backing.
Dimensions: 11"h x 13-3/4"w; frame: 14"h x 17-1/4"w.
Impressionist landscape painter, born in Paris, studied commercial painting. In 1862 he entered the studio of Gleyre, where he met Renoir, Monet and Bazille. He and his friends left about five months later and began to paint out of doors, directly from nature, in the region of Paris and in the Forest of Fontainebleau. Exhibited with the Impressionists in 1874, 1876, 1877 and 1882, and had his first one-man exhibition at La Vie Moderne, Paris, in 1883. After working at Louveciennes, Marly-le-Roi, Sèvres and elsewhere on the outskirts of Paris, he settled in 1880 near Moret-sur-Loing, and painted there most of his late works. Also worked in Britain in 1874 (especially around Hampton Court) and 1897 (the coast near Cardiff).
Please contact Witherell for shipping this item.
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Grandma (Anna Mary Robertson) Moses (1860-1961) Painting "Over the Bridge, Home"
Framed Grandma (Anna Mary Robertson) Moses (1860-1961) painting, "Over the Bridge, Home". Circa 1948. Signed lower right. Bears Grandma Moses Properties and Gallerie St. Etienne labels verso.
Dimensions: Frame: 17-3/4"h x 22"w;; Sight: 10-3/4"h x 14-1/2"w.
Robertson was born in 1860 and married in 1887. She had 10 children (5 of whom survived past infancy). Moses disliked spending time knitting and sewing, but she began entertaining herself and her friends by making needlework pictures and quilts portraying colorful scenes of farm life. At 78, when arthritis rendered her unable to embroider, friends suggested she try painting these scenes instead. She worked with whatever materials were at hand, used house paint and leftover canvas or fireboard for her first paintings. As a self-taught artist, Moses had little concern for perspective or proportion. Although familiar with the hardships and sorrow of farm life, she illustrated happy childhood memories of fields and storms, barn dances, and holidays in rural New York and Virginia. She deliberately omitted telephone poles, tractors, and other elements of the effects of industrialization. She gained the nickname “Grandma Moses” from a reviewer at New York’s Herald Tribune.
Processing and shipping within the continental U.S $60 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Grandma (Anna Mary Robertson) Moses (1860-1961) Painting "Frosty House"
Framed Grandma (Anna Mary Robertson) Moses (1860-1961) painting, "Frosty House". Signed lower right. Circa 1949. Grandma Moses Properties label verso.
Dimensions: (overall) 10-1/2"h x 10"w; (sight) 5"h x 7"w.
Robertson was born in 1860 and married in 1887. She had 10 children (5 of whom survived past infancy). Moses disliked spending time knitting and sewing, but she began entertaining herself and her friends by making needlework pictures and quilts portraying colorful scenes of farm life. At 78, when arthritis rendered her unable to embroider, friends suggested she try painting these scenes instead. She worked with whatever materials were at hand, used house paint and leftover canvas or fireboard for her first paintings. As a self-taught artist, Moses had little concern for perspective or proportion. Although familiar with the hardships and sorrow of farm life, she illustrated happy childhood memories of fields and storms, barn dances, and holidays in rural New York and Virginia. She deliberately omitted telephone poles, tractors, and other elements of the effects of industrialization. She gained the nickname “Grandma Moses” from a reviewer at New York’s Herald Tribune.
Processing and shipping within the continental U.S $65 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Grandma (Anna Mary Robertson) Moses (1860-1961) Painting "Snow Balling"
Framed Grandma (Anna Mary Robertson) Moses (1860-1961) painting, "Snow Balling". Circa 1949. Signed lower right. Grandma Moses Properties label verso.
Dimensions: (overall)10-1/2"h x 10"w; (sight) 5"h x 7"w.
Robertson was born in 1860 and married in 1887. She had 10 children (5 of whom survived past infancy). Moses disliked spending time knitting and sewing, but she began entertaining herself and her friends by making needlework pictures and quilts portraying colorful scenes of farm life. At 78, when arthritis rendered her unable to embroider, friends suggested she try painting these scenes instead. She worked with whatever materials were at hand, used house paint and leftover canvas or fireboard for her first paintings. As a self-taught artist, Moses had little concern for perspective or proportion. Although familiar with the hardships and sorrow of farm life, she illustrated happy childhood memories of fields and storms, barn dances, and holidays in rural New York and Virginia. She deliberately omitted telephone poles, tractors, and other elements of the effects of industrialization. She gained the nickname “Grandma Moses” from a reviewer at New York’s Herald Tribune.
Processing and shipping within the continental U.S $65 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Thaddeus Welch (1844-1919) Landscape Painting, Black Mountain, Marin County
Framed Thaddeus Welch (1844-1919) oil on canvas landscape painting depicting Black Mountain, Marin County. Signed lower right.
Dimensions: Overall: 27-1/2"h x 43-1/2"w; Sight: 19-1/2"h x 35-1/2"w.
Thaddeus Welch, born in Indiana, was a painter of landscapes. He studied at the California School of Design in San Francisco as well as in Munich, Germany. He was a painting companion to Frank Duveneck and William Merritt Chase. He is best known for his depictions of Marin County, California.
Processing and shipping within the continental US $300 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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William F Jackson (1850-1936) Painting
Framed William F Jackson (1850-1936) oil on canvas landscape painting mounted to board. Signed lower left.
Dimensions: sight: 11-1/2"h x 15-1/2"w; frame: 15-1/2"h x 19-1/2"w.
William F. Jackson was born in Council Bluffs, Iowa, in 1850, and moved to Sacramento, California, in 1863. He was a student at the School of Design in San Francisco, where he had a studio until 1880, when he returned to Sacramento. Jackson is best remembered for his landscapes of that area, often featuring rolling hills and spring wildflowers, and for his 52 year involvement with the Crocker Art Gallery Museum and school.
Processing and shipping within the Continental US $60 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Ira Yeager (1938-2022) Diptych Painting "Abstract with Portraits, 1810"
Ira Yeager (1938-2022) oil and acrylic diptych paintings, "Abstract with Portraits, 1810". Signed lower right corner. Painted in 1997. Two canvases framed as one.
Dimensions: (single panel) 48" x 36"; (overall) 48"h x 72"w.
Processing and shipping within the continental US $375 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Alexander Charles Stuart (1831-1898) Painting, "Portrait of a Dog"
Unframed Alexander Charles Stuart (1831-1898) oil on board painting, Annotated verso, "From A.C.S. to C.W.G". Signed lower center, "Stuart".
Dimensions: 7"h x 6"w.
Processing and shipping within the continental US $30 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Alexander Charles Stuart (1831-1898) Painting, "Florida Sunset"
Alexander Charles Stuart (1831-1898) Luminist oil on board painting, "Florida Sunset". Annotated verso, "Painted for...by C Stuart 1883 Wilmington Delaware".
Dimensions: 6"h x 9"w.
Processing and shipping within the continental US $30 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Alexander Charles Stuart (1831-1898) Painting, "Venice Early Morning"
Framed Alexander Charles Stuart (1831-1898) oil on canvas painting, "Venice Early Morning". Signed lower left. Annotated verso, "Venice Early Morning...Nov 1887 Wilmington, Del / Chas Stuart".
Dimensions: sight: 24"h x 16"w; frame: 37-1/2"h x 29"w.
Processing and shipping within the continental US $175 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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19th Century English School Painting of Playful Dogs & Cats
Framed 19th century English School oil on canvas painting of playful dogs and cats in an interior setting. Unsigned. "Crowney & Co. / London" stamped canvas verso.
Dimensions: 21-1/2"h x 26"w; frame: 29"h x 34"w.
Processing and shipping within the continental US $90 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Jean Lessi (19th c.) French Painting, "Allee du Bois de Boulogne"
Framed Jean Lessi (19th c.) oil on board painting, "Allee du Bois de Boulogne", depicting a Parisian streetscape. Signed lower left. Titled verso.
Lessi was a 19th c French artist known for his landscapes and cityscapes.
Dimensions: sight: 8"h x 6"w; frame: 15-1/2"h x 13-1/2"w.
Processing and shipping within the continental US $50 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Eugene Galien-Laloue (1854-1941) Painting, "La Trocadero"
Framed Eugene Galien-Laloue (1854-1941) gouache on paper painting, "La Trocadero". Signed lower left.
Born in Montmartre, France, he entered the military at a young age. During this time that he decided to become an artist, sketching the countryside and scenes he experienced during his military travels. In 1874, at the end of the war, Galien-Laloue was employed by the French Railway as an illustrator and utilized that time sketching landscapes. He preferred painting gouaches as they were easier and quicker to produce as he was rumored to be mostly concerned about the sale of his art. His landscapes were often created from postcards or photographs as he disliked travel or being in nature and preferred isolation. He also painted Parisian landscapes with the architecture being the focus rather than the individuals and was known to paint under the pseudonyms of J. Lievin, E. Galiany or L. Dupuy.
Dimensions: sight: 7-1/2"h x 12"w; frame: 15"h x 20"w.
Processing and shipping within the continental US $60 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Eugene Galien-Laloue (1854-1941) Painting
Framed Eugene Galien-Laloue (1854-1941) gouache on paper painting depicting a Parisian winter streetscape. Signed lower left.
Born in Montmartre, France, he entered the military at a young age. During this time that he decided to become an artist, sketching the countryside and scenes he experienced during his military travels. In 1874, at the end of the war, Galien-Laloue was employed by the French Railway as an illustrator and utilized that time sketching landscapes. He preferred painting gouaches as they were easier and quicker to produce as he was rumored to be mostly concerned about the sale of his art. His landscapes were often created from postcards or photographs as he disliked travel or being in nature and preferred isolation. He also painted Parisian landscapes with the architecture being the focus rather than the individuals and was known to paint under the pseudonyms of J. Lievin, E. Galiany or L. Dupuy.
Dimensions: sight: 7"h x 12"w; frame: 16"h x 21-1/2"w.
Processing and shipping within the continental US $60 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Jules Rene Herve (1887-1981) Painting
Framed Jules Rene Herve (1887-1981) oil on canvas painting. Signed lower left and canvas verso.
Jules René Hervé was an Academic French painter, born in 1887. His was born in Langres, a town in the eastern part of France, where he began his art studies in an evening school. Known for his paintings of cityscapes and landscapes, Hervé painted in an impressionistic style that captured the shimmering texture of the city and the softer light of the countryside.
Dimensions: sight: 25"h x 31-1/2"w; frame: 34-1/2"h x 41"w.
Processing and shipping within the continental US $300 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Charles A. Fries (1854-1940) Painting "Eucalyptus Grove"
Framed Charles A. Fries (1854-1940) oil on canvas paintins, "Eucalyptus Grove". Signed lower left. Titled canvas verso. Artist name and address handwritten stretcher bars verso.
Dimensions: Frame: 11"h x 14"w; Sight: 18-1/2"h x 1-1/2"w.
Fries was raised in Cincinnati and traveled to Europe and New York before settling in San Diego. An avid bicyclist with a Van Dyke beard and flowing black tie, he was a memorable sight with his painting gear in his basket. His journal records seventeen hundred California oil paintings, many of them with eucalyptus trees, and he was highly successful there also as a lithographer.
Processing and shipping within the continental U.S $40 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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William Lester Stevens (1888-1969) Painting, "#13 Top of the Hill"
Unframed William Lester Stevens (1888-1869) oil on canvas winter landscape painting, "Top of the Hill". Signed lower left. Titled canvas verso.
Dimensions: 30"h x 32"w.
Stevens was born in Rockport, MA and studied under Edmund Tarbell as well as at the Boston MFA Art School. He is best known for his various depictions of New England.
Processing and shipping within the continental U.S $135 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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William Lester Stevens (1888-1969) Painting "The Frozed Dam"
Unframed William Lester Stevens (1888-1969) oil on canvas winter landscape painting, "The Frozen Dam". Signed lower right. Titled on card affixed verso.
Dimensions: 30"h x 36"w.
Stevens was born in Rockport, MA and studied under Edmund Tarbell as well as at the Boston MFA Art School. He is best known for his various scenes of New England.
Processing and shipping within the continental U.S $135 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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William Lester Stevens (1888-1969) Landscape Painting
Unframed William Lester Stevens (1888-1969) oil on canvas mountain landscape painting. Signed lower left.
Dimensions: 34"h x 38"w.
Stevens was born in Rockport, MA and studied under Edmund Tarbell as well as at the Boston MFA Art School. He is best known for his various scenes of New England.
Processing and shipping within the continental US $150 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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William Lester Stevens (1888-1969) Landscape Painting
Unframed William Lester Stevens (1888-1969) oil on canvas winter landscape painting. Signed lower right.
Dimensions: 34"h x 38"w.
Stevens was born in Rockport, MA and studied under Edmund Tarbell as well as at the Boston MFA Art School. He is best known for his various scenes of New England.
Processing and shipping within the continental US $150 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Dirk Kortz (20th Century) Painting, "Come On In My Kitchen"
Framed Dirk Kortz (20th Century) oil on canvas genre painting, "Come On In My Kitchen". Signed and dated ('98) lower right.
Dimensions: Sight: 18"h x 21"w; Frame: 19-1/2"h x 22-1/2"w.
Provenance: Hahn Ross Gallery, Santa Fe.
Dirk Kortz paintings depict regional cultures throughout the United States. The subjects are based on his many road trips throughout the country.
Processing and shipping within the continental US $70 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Ralph Goings (1928-2016) Painting "Summer" 1966
Framed Ralph Goings (1928-2016) oil on canvas painting, "Summer", 1966. Handwritten canvas verso, "Ralph Goings / 1966 / Summer." Partial exhibition label affixed canvas bars verso. Dimensions 45.5” wide by 43.5” height.
Ralph Goings is an American painter and prominent member of the Photorealist movement of the late 1960s and early 1970s. His watercolors and oil paintings depict the interiors of quintessentially American subjects such as diners, laundromats, gas stations, and pickup trucks with a carefully observed level of detail and smooth handling of paint.
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Viola Frey (1933-2004) Pastel
Framed Viola Frey (1933-2004) pastel and charcoal on paper depicting several figures, "Untitled". Signed and dated (87) lower right. Rena Bransten Gallery label verso.
Dimensions: sight: 42"h x 29-1/2"w; frame: 46"h x 34"w.
Over the course of her five-decade career, Viola Frey created boldly colored figurative sculptures, paintings, and works on paper that reflect on contemporary culture, power, and gender dynamics. While most closely aligned with the Bay Area Funk movement, Frey’s immense creative output delves into many aesthetic directions, using a distinctive and personal iconography and palette to depict human figures among objects of antiquity, flea market collectibles, and interior landscapes. Frey considered herself a bricoleur – a junk accumulator – by reinterpreting collectable figurines, philosophical ideas, personal experience, and color theory freely to create new meaning in ceramic and bronze. Her works on paper and paintings echo the sculptures, creating a dynamic back-and-forth conversation between media.
Processing and shipping within the Continental US $350 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Robert Kelly (b.1956) Giclee, "Shadow of What Lies Beyond"
Framed Robert Kelly (b.1956) giclee,"Shadow of What Lies Beyond". Gallery Sur label verso. Certificate of Authenticity signed by artist and dated 3-03 and numbered (50/250).
Dimensions: Sight: 24" x 24"; Frame: 35" x 35".
Robert Kelly is a contemporary American artist, best known for his collaged geometric abstractions. Conflating ideas of art and world history, systems theories, and Post-Minimalist abstraction, he works within the formal languages of painting and printmaking. Kelly’s work investigates the idea of doubleness through images that reflect, oppose, or imitate each other, and is influenced by the De Stijl movement
Processing and shipping within the continental US $135 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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Friedensreich Hundertwasser (1928-2000) Color Screenprint, "Sad No So Sad Is Rainshine From Rainday On A Rainy Day"
Framed Friedensreich Hundertwasser (1928-2000) color screenprint, "Sad No So Sad Is Rainshine From Rainday On A Rainy Day". Signed, dated (1968) and numbered (21/250) lower center. Printed by Galleria L'Elefante in Venice. Published by the University Art Museum, Berkeley, CA. Accompanied by book.
Dimensions: sight: 27-1/2"h x 20"w; frame: 32"h x 24"w.
Processing and shipping within the continental US $70 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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27
Wayne Thiebaud (1920-2021) Print
Framed Wayne Thiebaud (1920-2021) abstract print. Signed lower right. It is in the style of Thiebaud's, "Water City, 1959" (a large mosaic executed for the Sacramento Municipal Utilities Headquarters, 1959).
Dimensions: sight: 7"h x 20"w; frame: 14"h x 27"w.
Processing and shipping within the continental US $60 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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28
Alphonse Mucha (1860-1939) Figure Study of a Female
Unframed Alphonse Mucha (1860-1939) figure study of a female. Signed lower right.
Dimensions: 7"h x 5"w.
The documented history of ownership is supported by a handwritten card from Isabella Percy to William M. Rice postmarked September, 1965, where she describes receiving these "faded Mucha drawings" while on a European trip around 1906. These drawings remained with Mr. Rice and his wife Leslie until her passing in 2015. Her estate was heir to many works by family member and noted California artist, William S. Rice.
Mucha was an Art Nouveau illustrator and painter noted for his posters of idealized female figures. He was an artistic leader in the Art Nouveau movement.
Processing and shipping within the continental US $30 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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29
Alphonse Mucha (1860-1939) Figure Study of a Female
Unframed Alphonse Mucha (1860-1939) figure study of a female. Signed lower right.
Dimensions: 7"h x 5"w.
Mucha was an Art Nouveau illustrator and painter noted for his posters of idealized female figures. He was an artistic leader in the Art Nouveau movement.
The documented history of ownership is supported by a handwritten card from Isabella Percy to William M. Rice postmarked September, 1965, where she describes receiving these "faded Mucha drawings" while on a European trip around 1906. These drawings remained with Mr. Rice and his wife Leslie until her passing in 2015. Her estate was heir to many works by family member and noted California artist, William S. Rice.
Processing and shipping within the continental US $30 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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30
Andy Warhol (1928-1982) Polaroid Print, "Campbell's Soup Can (Wonton Soup)"
Framed Andy Warhol (1928-1982) polaroid print, "Campbell's Soup Can (Wonton Soup)". Circa 1981. Bears two Christie's Auction labels verso. Accompanied by "Certificate of Provenance" Christie's New York.
Dimensions: Frame: 9" x 9"; Sight: 2-3/4"h x 3-1/2"w.
Processing and shipping within the continental U.S $40 plus a 1.5% replacement cost insurance fee. Discounts given on combined lot shipping.
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